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His penetrating analysis of U.S. foreign policy and international conflicts will be sorely missed, and not easily replaced. His son Nat Parry writes a tribute to his father: Robert Parry’s Legacy and the Future of Consortiumnews.
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Selected speeches from the Women's March in Hartford, Connecticut 2018, recorded and produced by Scott Harris







Promoting Enduring Peace presented its Gandhi Peace Award jointly to renowned consumer advocate Ralph Nader and BDS founder Omar Barghouti on April 23, 2017.
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who helped make our 25th anniversary with Jeremy Scahill a success!
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Jeremy Scahill keynote speech, part 1 from PROUDEYEMEDIA on Vimeo.
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"How Do We Build A Mass Movement to Reverse Runaway Inequality?" with Les Leopold, author of "Runaway Inequality: An Activist's Guide to Economic Justice,"May 22, 2016, John Jay College of Criminal Justice, The City University of New York, 860 11th Ave. (Between 58th and 59th), New York City. Between The Lines' Scott Harris and Richard Hill moderated this workshop. Listen to the audio/slideshows and more from this workshop.
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Posted May 4, 2016
Interview with Mohamad Hafez, Syrian-born artist and architect, conducted by Melinda Tuhus
The war in Syria has entered its sixth year, and despite a partial ceasefire in place for a few months that somewhat reduced the daily number of fatalities and injuries, late April attacks by both the Assad government and some rebel groups in the city of Aleppo caused the deaths of more than 200 Syrians. The United Nations and humanitarian groups have estimated that more than 300,000 Syrians have been killed in the war thus far – with more than 11 million refugees and internally displaced persons since 2011 – more than half the country's prewar population.
Mohamad Hafez, born in Damascus, Syria and educated in the U.S., earned his degree in architecture – and is now working for an architectural firm in New Haven, Connecticut. In recent years, he has turned to making art, informed by his architect's training, to create images and sounds of Syria both before the war – and after the terrible destruction, loss of life and dislocation caused by the conflict. Hafez has exhibited his work and spoken to audiences about his art and the war across the northeast U.S.
Between The Lines' Melinda Tuhus spoke with Hafez about what motivates his art – and his hopes for the future of his wartorn country. As an immigrant to the U.S., he declined to discuss the specific military situation in Syria, but did express his views about the need for more assistance to refugees and international humanitarian aid.
MOHAMAD HAFEZ: I think my architecture career does influence my art career tremendously. That's primarily because I am interested in the human interaction of architecture. I come from Damascus, which is the oldest continuously inhabited city in the world, and there are layers upon layers upon layers of human traits in architecture when you walk these old Damascus alleyways and roads, and in that sense, we have the ability to write our history sort of on the architectural scape. There is this ability for architecture to become a medium to tell a story, right, so I use that to tell a story about my beloved Syria in hopes that you tell enough to humanize the conflict so that somebody can relate to these personal stories and day-to-day activities. So, that's what I focus on by making miniature work that is highly detailed, yet politically charged.
BETWEEN THE LINES: You said you spent eight years in the U.S. before being able to return to Syria in 2011, which was the year the war started, but I understand the war had not yet come to the part of Damascus where you were. What was that like?
MOHAMAD HAFEZ: And that was such a breather because I was so homesick and so longing for my beautiful cities and country that I started walking around and recording people's conversations. I would sit in the courtyard of the Imaya mosque and record children playing in the courtyard and record different merchants talking and different calls to prayer off each of the mosques, and of course, as we know today, this is a moment of peace that is no longer in existence. And I stumbled across these recordings four or five years later when I was starting to make this political artwork. So these stories are merely ... I've infused these sound recordings into these realistic models that reconstruct the destruction of Syria, and when you add the sound and the life that was there before the war to the pieces, it sort of really adds a fourth dimension to these pieces, a consciousness to it on its own. My goal is to document the normal day-to-day activities. People look at me crazy, like, "What are you doing?" But, I went around and recorded normal conversations; recorded my friends playing cards together at a café, yelling at each other and having a good time, not knowing that five years later, each one of them would be living in a different country. Some of them have become residents of other countries in the Gulf region and some of them have actually become refugees.
BETWEEN THE LINES: What can you say about the forces fighting in Syria, with support from both Russia and the U.S.?
MOHAMAD HAFEZ: Well, I'm not so sure there is a distinct Syrian hand anymore; it is so many foreign hands in this kitchen, and I'm not interested in the dirty political game. We are so desensitized to what needs to be done, and when it comes to nations that are meaningfully prepared to stop such atrocities, we don't see much being done.
BETWEEN THE LINES: Would you like to see the U.S. do more in Syria and accept more refugees here?
MOHAMAD HAFEZ: Yes, of course, absolutely. This great nation is a defender of liberties and human rights with a decades-long record. I am surprised with the little that has been done to aid the humanitarian efforts in Syria. I don't think there's a household in Syria that hasn't lost somebody, or has somebody as a refugee somewhere. I have an immediate family member as a refugee. And that is what goads me to do more and more and more work. The more negative sentiments that I hear in the media against refugees, I take it upon myself to educate people around me about who refugees are, and what is so devastating on the ground there that is pressuring a father to put his 2-year-old in a float across the Mediterranean.
Learn more about Mohamad Hafaz' art and views on his country's bloody civil war by visiting mohamadhafez.com; mohamadhafez.com/BIO; mohamadhafez.com/SYRIA; mohamadhafez.com/Collateral-Damage; mohamadhafez.com/PRESS.
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